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Copyright 2022: BERLINPHOTOWEEK

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HVW8 Gallery Berlin and Berlin Photo Week are pleased to present DEAD END STREET, a double pop-up photography exhibition featuring Nikita Teryoshin, Manuel Osterholt as well as a selection of various gallery archive photo works. 

With the double exhibition DEAD END STREET, HVW8 Gallery Berlin and Berlin Photo Week celebrates photography and its different presentation. 

1. With the work “I’ve never been to Russia”, which began in 2019 and shows Russia going astray, Teryoshin deals with his homeland, which is gradually slipping into fascism. Whether religious parades or Victory Day in the pouring rain with slogans like “We could repeat it!” on the red square, studios of propaganda tv shows or the notorious “Pavlov’s dog” under museum glass in St.Petersburg, which stands for classical conditioning, Teryoshin is always looking for suitable motifs that describe his feeling towards the zeitgeist. However, an always critical photo-documentary examination leads to a dead end on February 24th, 2022. 

Teryoshin posts a picture of a burning Russian passport under the caption “Not in my Name” and decides not to return to his homeland for the time being in protest against the war.

Nikita Teryoshin –

Born in Leningrad in 1986, Nikita Teryoshin grew up in St. Petersburg and Dortmund. There he also studied photography at the University of applied Science. He describes his genres as a mixture of “Street, Documentary & Everyday Horror”. As a freelance photographer he works for different German and international magazines. His work has been exhibited and awarded several times, including the World Press Photo Award. Nikita Teryoshin lives in Berlin.

2. „Chasing My Shadow Through Time & Space“ is an observations of the human condition and its poetry in todays metropolis. 

The pictures were taken across 5 continents, during the time from 2012 to 2019. In cities like Athens, Barcelona, Buenos Aires, Budapest, Durban, Gothenburg, Guangzhou, Malta, New York City, Johannesburg, Shenzhen and Venice. 

„There is a certain angst and unrest that you are finding in these images. Each photograph is filled with uncertainty and a distinct feeling of disturbance. These qualities are what bind the photographs together. And because these feelings are so universal and because they are witnessed and experienced throughout the world,…“ – Lensculture

Manuel Osterholt –

Born 1976 in Heidelberg, Manuel Osterholt lives and works in Berlin. His main focus is on glimpses of the absurd, within daily life, in the public space. The book „Chasing My Shadow Through Time & Space“ was self published in July 2022 and will be launched officially during the DEAD END STREET exhibition.


DEAD END STREET 

Opening: September 3rd, 18:00-21:00
Exhibition: During the Berlin Photo Week, September 3rd– 8th
HVW8 Gallery Berlin 
Linienstraße 161, 10115 Berlin
Opening hours: Tue-Sa 2-6pm
hvw8.com

HVW8 Gallery Berlin and Berlin Photo Week are pleased to present DEAD END STREET, a double pop-up photography exhibition featuring Nikita Teryoshin, Manuel Osterholt as well as a selection of various gallery archive photo works.  With the double exhibition DEAD END STREET, HVW8 Gallery Berlin and Berlin Photo Week celebrates photography and its different presentation.  1. With the work "I've never been to Russia", which began in 2019 and shows Russia going astray, Teryoshin deals with his homeland, which is gradually slipping into fascism.

The Master of Danish photography, Per Morten Abrahamsen participate at this year’s BERLIN PHOTO WEEK from 2nd to 4th of September, featured by Selected Artists with an extensive solo exhibition on 250m² at Uhura Basement (Weydemeyerstrasse 2 10178 Berlin Mitte). The exhibition will contain selected older works and recent works. Per Morten Abrahamsen has exhibited both in galleries and museums in Denmark and abroad, including solo shows at Aros Museum twice, The National Photo Museum, Kopenhagen/The black diamant (the national

Fotogalerie Friedrichshain and analogueNOW! are pleased to announce their first curatorial collaboration: an international group exhibition on the theme “Transition” that will open in September. The exhibition will showcase analogue photography projects focused on narrating change, capturing development or decline, and witnessing or challenging the turn of events. Either individual or collective, social or environmental, gradual or brutal, unexpected or chosen, a transition can be defined as a process of change, from a beforeness to an afterwards. If the notion of transition is inherent in all

At this year's BERLIN PHOTO WEEK, CHAUSSEE 36 presents two exhibitions that are in dialogue with each other. One is the show "Dancing through Times of Uncertainty" - a duo exhibition with Magnum photographer Inge Morath (1923-2002) and Inge Morath Award winner Johanna-Maria Fritz (*1994) on the occasion of Magnum Photo's 75th anniversary. On the other hand, the solo exhibition "Updating a Family Album" by the famous Iranian photographer Malekeh Nayiny (b. 1955).  "Dancing through Times of Uncertainty." The works of Inge